Further reading

Questioning The Soul

by Rebecca Edwards

The Soul

Digital/Tech

  • Living forever / Immortality

  • Digital Afterlife / Digital Death

  • Birth and death

Religion/Philosophy

  • What is the soul? As a philosophical question

The question of what the soul is has been a central topic of philosophical inquiry for centuries, and there is no single, agreed-upon answer among philosophers.

In general, the soul is often understood as the non-physical, incorporeal essence or principle of an individual, which is believed to animate and give meaning to their physical body and existence. The soul is often associated with qualities such as consciousness, self-awareness, and free will, and is often seen as the source of human identity and morality.

In some philosophical traditions, the soul is believed to be immortal, and is thought to persist beyond the physical death of the body. Other traditions hold that the soul is a transient phenomenon, and that it ceases to exist when the body dies.

The question of the soul has been explored by philosophers across a wide range of cultural and historical contexts, and has been approached from a variety of different philosophical perspectives. Some philosophers have sought to understand the nature of the soul through reason and logic, while others have looked to religious and spiritual traditions for guidance.

  • Sins vs. redemption

  • Reincarnation

  • An understanding of how deeply rooted traumas / experiences / histories affect our present

  • The immaterial

  • Something existing outside of consciousness, outside of our body, on a different plane of existence

Body related

  • Essence of a person - memory, nostalgia, identity, personality surviving past our physical body

  • Resurrection

Thoughts on The Mind Notes

by Rebecca Edwards

The Mind

The Digital Mind

  • Digital consciousness and how this interacts with our mind consciousness

Digital consciousness refers to the experience of consciousness as it is mediated and shaped by digital technologies, such as computers, smartphones, and the internet. This can include everything from the way we interact with digital devices and platforms, to the way in which we process and respond to information in a digital context.

The interaction between digital consciousness and our mind consciousness is complex and multi-faceted. On the one hand, digital technologies have the potential to enhance our cognitive abilities and augment our experiences of the world. For example, digital tools can help us to process and analyze vast amounts of data, communicate with others across vast distances, and access information and resources that were previously inaccessible.

At the same time, digital technologies can also shape and constrain our experiences of the world, and can potentially interfere with our ability to process and understand information in a meaningful way. For example, the constant barrage of notifications, alerts, and distractions from digital devices can lead to a fragmented and distracted state of mind, making it more difficult to concentrate and engage in deep thinking.

Furthermore, the use of digital technologies can also have an impact on our sense of identity and selfhood. The constant pressure to present a curated and idealized version of ourselves on social media, for example, can lead to a disconnection from our true selves and a sense of anxiety and inadequacy.

  • The mind as a computational tool of connection and information dissemination

The mind can be thought of as a computational tool of connection and information dissemination. Through our experiences and interactions with the world, our minds process and organize information, forming connections and associations that allow us to navigate and make sense of our environment.

One way in which the mind serves as a tool for connection is through our ability to form social connections and relationships with others. Through language, social norms, and shared experiences, we are able to communicate and share information with one another, forming complex networks of social and cultural connections that shape our individual and collective experiences.

Additionally, the mind also plays a crucial role in the dissemination of information, allowing us to learn, remember, and share knowledge with others. Through processes such as memory and attention, the mind allows us to store and retrieve information, and to make connections and associations between different pieces of information.

As computational tools, our minds also allow us to process and analyze complex information, allowing us to make decisions and solve problems based on a combination of logical and intuitive processes. This ability to think and reason has allowed us to make incredible advancements in science, technology, and other fields, and has helped us to better understand and shape the world around us.

  • How is knowledge made, is it calculated, is ML logic or a thought?

  • Neural Link

  • Social Media and it effects on our perception of reality and self

The mind in relation to body

  • Mental health/Illness and awareness

  • Care through talking practices and genuine listening

  • Medication / Placebo

  • Meditation

  • Mind Control

  • Dreams

Philosophy and Theories

  • Hallucinogenic experiences

“there in the darkness of the heart of the Amazon we had been found and touched by this bizarre and ancient life form that was now awakening to the global potential of a symbiotic relationship with technical humanity. All night long strange vistas and insights poured through me; I saw gigantic machineries and worlds of vegetable and mechanical forms on scales inconceivably vast. Time agotized and glittering seemed to pour by me like living super fluids inhabiting dream regions of terrible pressure and super cold and I saw the plan, the mighty plan. At last, it was an ecstasy, an ecstasis that lasted hours and placed the seal of completion on all of my previous life. In the end, I felt reborn but as what I knew not.”

In Jungian terms, the psyche is some sort of malleable mechanism - if you set yourself up as something you will become it, so if you set yourself up as on a quest you will actually find something transcendental and unimaginable.

“what the psychedelic is going to do is it's going to destroy your whole world your whole conception of your world and for some people that is tremendously liberating - they say, “wonderful at last I'm free of it” while other people say, “my god now I'm hopelessly mad I have nothing left to cling to, I've really done it this time”. So that's almost an aesthetic judgment, whether you like watching your world shredded before your eyes and made into nonsense, if that makes you feel liberated and secure then you can sign up for this carnival. If that alarms you i think best to stick to the tried and true, it's not for people of weak psychic constitution”

“I know someone who says of the mushrooms my goal with taking mushrooms is always to be able to stand more - and they don't mean higher doses, they mean more of what it reveals… The mushroom speaks. The strange the confounding fact about these mushrooms is that they speak to you in plain English and this is completely unexpected - by being able to have a relationship to this thing you open up yourself to what is essentially a magical dimension a dimension of allyship”

  • counter cultures

  • microdosing - Silicon Valley medication

  • Conspiracy theories / virus’s of the mind

  • Consciousness of oneself through thoughts and processing of ideas

  • Systems of the mind / coding the mind / programming the mind

Other

  • Networked infrastructure - How can we learn from queer, migrant, crip, and anti-colonial solidarity movements across translocal sites of struggle to re-imagine the networked infrastructures we deservemorality.

In some philosophical traditions, the soul is believed to be immortal, and is thought to persist beyond the physical death of the body. Other traditions hold that the soul is a transient phenomenon, and that it ceases to exist when the body dies.

The question of the soul has been explored by philosophers across a wide range of cultural and historical contexts, and has been approached from a variety of different philosophical perspectives. Some philosophers have sought to understand the nature of the soul through reason and logic, while others have looked to religious and spiritual traditions for guidance.

  • Sins vs. redemption

  • Reincarnation

  • An understanding of how deeply rooted traumas / experiences / histories affect our present

  • The immaterial

  • Something existing outside of consciousness, outside of our body, on a different plane of existence

Body related

  • Essence of a person - memory, nostalgia, identity, personality surviving past our physical body

  • Resurrection

Notes On The Body

by Rebecca Edwards

The Body

Bodily Embedded technologies

  • Body technology - wearables, bodymods, etc

Bodily Embedded technologies, also known as implantable technologies, are a rapidly advancing field that involves integrating technological devices within the human body. These devices can be as simple as pacemakers, which regulate the heart's rhythm, or as complex as brain implants, which can help control movement in patients with Parkinson's disease. These technologies have the potential to improve human health and quality of life by enhancing sensory perception, treating medical conditions, and even improving physical performance. However, there are also concerns about the ethical implications of these technologies, including issues of privacy, autonomy, and potential abuse. Despite these concerns, bodily embedded technologies are likely to play an increasingly important role in medicine and society in the coming years.

  • Intimacy with technology - how we relate to our screens, to tech, to dating apps, to NLP and chatGTP3, what effect does this intimacy with with how we see the world around us

Intimacy with technology has become a defining feature of modern life. We rely on screens for work, entertainment, and social connection. Dating apps have revolutionized the way we meet and interact with potential partners, while NLP and chatbots like ChatGPT3 have expanded the scope of human-machine communication. This intimate relationship with technology has both positive and negative effects on how we see the world around us.

On the one hand, technology has made many aspects of life more convenient and efficient. We can connect with people across the world, access vast amounts of information, and complete tasks with ease. However, this constant connection to technology can also have negative consequences. It can create a sense of isolation and detachment from the physical world, leading to a lack of meaningful human connection. It can also contribute to a sense of anxiety and overwhelm as we try to keep up with the constant stream of information and demands.

Regarding dating apps, they have opened up new possibilities for meeting people and forming relationships, but they can also contribute to a culture of superficiality and commodification of human connection. The use of NLP and chatbots like ChatGPT3 can provide a more efficient and personalized form of communication, but it can also raise ethical concerns around the use of personal data and the potential for manipulation.

In conclusion, our intimacy with technology is a complex and multi-faceted phenomenon that has both positive and negative effects on how we see the world. While technology has the potential to improve our lives in many ways, it is important to be mindful of the potential risks and to find ways to maintain a healthy balance between our digital and physical lives.

  • The human body vs the avatar body

The human body and the avatar body are two distinct entities that serve different purposes in our lives. The human body is our physical vessel, the tangible form that houses our consciousness and allows us to interact with the world. The avatar body, on the other hand, is a digital representation of ourselves that we use in virtual environments such as video games or social media.

One of the key differences between the two is that the human body is limited by the laws of physics, whereas the avatar body is not. The avatar body can move and interact in ways that are not possible in the physical world. This allows us to explore new environments, engage in new activities, and experiment with new forms of expression.

Despite these differences, both the human body and the avatar body are important. The human body is essential for our physical survival and wellbeing, while the avatar body provides a new and unique way for us to express ourselves and connect with others. The avatar body allows us to create a digital identity that can transcend physical boundaries and cultural barriers, enabling us to interact with people from all over the world.

Moreover, the avatar body can also have practical applications in fields such as medicine and education. For example, medical professionals can use avatars to simulate surgical procedures or to train new doctors, while educators can use avatars to create immersive learning environments.

In conclusion, while the human body and the avatar body are different, they both serve important roles in our lives. The human body is essential for our physical survival and wellbeing, while the avatar body provides us with a unique way to express ourselves and connect with others, and can have practical applications in various fields.

  • Immersivity and experiential works that move across the physical and the virtual

One of the key benefits of these immersive experiences is that they can provide a more engaging and memorable experience for the audience. They can transport viewers to new worlds, enable them to interact with digital characters or objects, and create a sense of presence that is not possible with traditional media.

However, these works also raise important questions about the relationship between the physical and the virtual, and the potential implications for our sense of reality and identity. As we become increasingly immersed in virtual environments, it becomes more difficult to distinguish between what is real and what is not. This can lead to concerns about the impact of these works on our sense of self and our relationship with the physical world.

In conclusion, immersivity and experiential works that move across the physical and the virtual have the potential to transform the way we experience art, entertainment, and other creative industries- moving across the physical and the virtual have the potential to provide us with new levels of sensory stimulation, storytelling, and communication. However, it is important to be mindful of the potential implications of these works and to consider how they may impact our relationship with the world around us.

Outer body / Relating to the body but outside

  • Embodied experiences vs out-of-body experiences

Embodied experiences are experiences that are rooted in the physical body and its interactions with the environment. They are characterized by a sense of being present in the body and the environment, and by the use of bodily senses such as touch, sight, and sound to navigate and interact with the world.

Out-of-body experiences, on the other hand, involve a sense of detachment from the physical body and a perception of being located outside of it. These experiences can occur spontaneously, as in near-death experiences, or they can be induced through various techniques such as meditation or sensory deprivation.

Despite their differences, embodied experiences and out-of-body experiences are closely related in that they both involve the relationship between the body and the environment. Embodied experiences are characterized by a sense of integration between the body and the environment, while out-of-body experiences involve a sense of detachment from the physical body and a perception of being located outside of it.

Some researchers have suggested that out-of-body experiences may be related to disruptions in the brain's ability to integrate sensory information from the body and the environment, leading to a sense of detachment from the physical body. Others have proposed that these experiences may be related to the activation of certain brain regions that are involved in self-representation and spatial navigation.

Understanding the underlying mechanisms of these experiences can help us to better understand the complex relationship between the mind, the body, and the environment.

  • Remote viewing

  • Movement and choreography of a body in space - performance practices as a way of deciphering boundaries and connections to material and immaterial things

Through movement and choreography, performers can create a sense of connection between their bodies and the environment, blurring the boundaries between self and other, and between the physical and immaterial. This can be particularly effective when performers engage with natural or built environments, allowing their movements to interact with the space and creating a sense of interdependence between body and environment.

At the same time, performance practices can also be used to explore the boundaries and limitations of the body. Performers can use movement and choreography to push the limits of their physical abilities, or to explore the ways in which the body can be constrained or restricted by social, cultural, or political forces.

Through these explorations, performance practices can help us to better understand our relationship with the physical and immaterial worlds, and to uncover new connections and boundaries that we may not have been aware of before. They can also provide a powerful way of communicating these insights to others, allowing us to share our experiences and perspectives in new and creative ways.

  • Invisible forces surrounding our bodies in relation to the environment / to one another / to everything that comprises us.

Our bodies are surrounded by invisible forces that interact with the environment, with one another, and with everything that comprises us. These forces can be physical, such as gravity, electromagnetism, and the forces of motion, or they can be immaterial, such as social and cultural forces that shape our interactions with others and the world around us.

Physical forces play a crucial role in shaping our relationship with the environment. Gravity, for example, affects the way we move and interact with the world, while electromagnetism is involved in everything from our sense of touch to the functioning of our nervous system. The forces of motion, such as acceleration and inertia, also play a role in shaping our experiences of the world, affecting the way we perceive and navigate through space.

At the same time, social and cultural forces also shape our experiences and interactions with the world. These forces can include things like social norms, cultural values, and power dynamics, all of which can influence the way we see ourselves, others, and the world around us. They can also shape our sense of identity and belonging, and influence the ways in which we relate to others and the world around us.

Taken together, these invisible forces help to shape our experiences of the world, and shape the ways in which we interact with the environment, with one another, and with everything that comprises us. By understanding these forces and their role in shaping our experiences, we can better understand our relationship with the world, and work to create a more equitable and sustainable world for ourselves and future generations.

  • The holistic body - dynamics between the body and mind and soul

Other bodies / Non-human bodies

  • The social, collective and cyborgian bodies - our body is not a singular

  • The body politic

  • Object Oriented Ontology

Outer Body: The Extension of Self Beyond the Physical

Embodied experiences and out-of-body experiences prompt us to examine the boundaries of our physical existence. Remote viewing and the choreography of a body in space, as seen in the performances and works of artists like arebyte alumni  LaTurbo Avedon, Gretchen Andrews and Angela Washko challenge conventional notions of materiality and immateriality through their use of the screen. Invisible forces enveloping our bodies, such as those revealed in the works of Alan Warburton and Libby Heaney, connect us to our lived and perceived environment, to one another, and to the awareness of our holistic being. This intricate dynamic of aggregate components of the self is challenged and shifted when the extension of the body beyond boundaries is explored.

Starting point…

by Rebecca Edwards

The Body

Interface Between Physicality and Virtuality

In the era of digital advancements, our bodies have become conduits for technology, augmenting our capabilities and experiences with varying transportative tools and models.

As we grow increasingly intimate with technology, our relationships with screens, artificial intelligences and machines evolve to reshape our perspectives of the world and assist us in understanding the juxtaposition/symbiosis at play with the physical and virtual.

With heightened intimacy comes increased empathy with technologies; technologies that are being used as testing grounds, sandboxes and virtual possibility machines. This critical play is seen in the symposium with artist David Blandy and writer, curator, and co-director of Strange Attractor Press Jamie Sutcliffe (Areas Of Effect: Planar Systems, Critical Roles, and Gaming Imaginaries, 2023), which looks at tabletop role-play as a transformative activity.

The expression of empathy and understanding of technology from a bodily and immersive perspective was seen in Alan Warburton’s expanded video essay (RGBFAQ, 2020), through large-scale projection mapping and human-proportioned sculptures.

Installation view of RGBFAQ, Alan Warburton, 2020, arebyte Gallery, London. Photo: Max Colson

The language surrounding terms like “cyborgian” is also challenged as our smart devices become permanent appendages of our arms. Other links to this interplay are promoted by embedded wearables and body modifications that extend our sensory perception, allowing us to interact with the world in novel ways, as seen in the works of pioneering artists like Choy Ka Fai (The Choreography of Things, 2014) and Marco Donnarumma (Humane Methods [℧R], 2022). These artists have critically examined the boundaries between humans and machines, and they continue to challenge our understanding of the physical self and the potentialities of integration with machines and hardware.

The expansion of our virtual self and its relation with our physical being propose new forms of intimacy and relations and are exemplified in the works of artists like La Turbo Avedon (Re-Figure Ground, 2019/Club Zero2022) and Abi Sheng (FUTURES PAST, 2022), who explore the interplay between the human body and its digital avatar or counterpart.

Immersive and experiential artworks that traverse the physical and virtual realms, such as those created by Lawrence Lek (Nøtel, 2018/FUTURES PAST2022), Olia Lialina (Best Effort Network, 2020) and Libby Heaney (The Evolution of Ent-: QX, 2022), further entwine our existence with digital technology.

Installation view of Nøtel, Lawrence Lek, 2018 arebyte Gallery, London. Photo: Luka Radek

The Mind

Digitisation of Consciousness

Our minds meld with emerging digital technologies such as biotechnology, robotics, blockchains and artificial intelligence, alongside a technology that is more aligned with immaterial, spiritual transcendence and neo-communication. These are technologies of the mind that enhance cognitive abilities, learning, or mental well-being such as neurofeedback, nootropics, meditation and hallucinogens. This can be seen in the work of  Zach Blas (CULTUS2023) whose work shares belief systems via a techno-religious computational device artificial intelligence is imbued with godly power.

Zach Blas, CULTUS, 2023. arebyte Gallery, London. Image: Max Colson.

Human consciousness becomes intertwined with the digital and ethereal realm, leaving an indelible mark on the way we perceive, structure and verbalise inner reasoning. In the screening and panel conversation co-curated with Helen Knowles (Towards a Cosmotechnic Psychedelia, 2023), featuring film works by Suzanne Triester and Patricia Domínguez and others, we see this technological network play out through embodied experience, techno-spiritual renderings and narrative-building beyond sentience.

Towards a Cosmotechnic Psychedelia, 2023. arebyte Gallery, London. Image: Jack Jones.

In the selected film works, we also see a move towards anti-universalist and pluralist perspectives on technologies and tools of connection in the West. Through artistic interventions via documentary / sci-fi / ficticious / reality-based methods of narrative-building, we see a collective awareness and connection in understanding the problematic, extractive, Western-centric botanical objective to discover and sail the psychonautical seas of inner consciousness.

We see more contemporary takes on the points raised (or ignored) in McKenna’s lifework: Ursula Biemann’s exploration of intelligence in nature from both shamanic and scientific perspectives and Patricia Dominguez’s enquiry into experimental ethnobotany and organic connection technologies that expand the perception of the vegetal and the spiritual world. Looking towards an embodied approach of psychedelics in medicine and mental health, Andrea Khora visualises the effects of 10mg of ketamine inserted intravenously, creating hallucinogenic and otherworldly images. Suzanne Triester approaches non-colonialist plans towards a techno-spiritual imaginary of alternative visions of survival on earth via a body of work titled Technoshamanism. This sees an expansion and redefinition of technology that is engineered and redirected in new ways for global positive futures away from mainstream economic, corporate and governmental forces. Rebeca Romero’s Voyager also questions the legitimacy of the notion of “discovery” and proposes a reassessment of dominant notions of intelligence, technology, and knowledge.

For artists like Mark Farid (Seeing I, 2019) and Sarah Selby (Raised by Google, 2019), who interrogate the relationships between human and digital consciousness, the mind is examined as a computational tool for connection and information dissemination. The realm of machine learning and artificial intelligence, as seen in the works of Ben Grosser (Software For Less2021) invites us to question the nature and production of knowledge itself, the ghost in the machine, while also playfully hacking systems and attempting to confound the subjugation of big tech.

Installation view of Software For Less, Ben Grosser, 2021, arebyte Gallery, London. Photo: Max Colson.

Our perceptions of reality and the self are increasingly influenced, subtly modified and overtly conditioned by digital technology. Whether through hardware and tools like smart devices, implantable brain/computer devices or other wearable monitoring technologies, our behavioural traits, and in essence our consciousness, are offered up for use by technocratic companies in ways that can be deemed behaviourally capitalist. We can say the same for software and community services like social media platforms, health monitoring apps, and data-based and behavioural marketing strategies, as seen in works by artists such as Ami Clarke (The Underlying 2019) and Louise Ashcroft (I’d Rather Be Shopping, 2017). Mental health and awareness, care through talking practices, and the function of medication and meditation are prominent in this evolving landscape. Whether as individuals or as collectives, the role of physical and digital support systems and digital escapism tactics is more important than ever. Artists such as Kate Frances Lingard (tender spots in hard code, 2021) and Danielle Brathwaite-Shirley (She Keeps Me Damn Alive, 2021) address these themes while exploring the power of action, networks and resistance to encourage a sense of collectivity through compassion and shared accountability. The coding and programming of the mind are evident in the networked infrastructures we inhabit, as are the lessons gleaned from queer, migrant, crip, and anti-colonial solidarity movements that inspire alternative visions of our digital futures.

Installation view of She Keeps Me Damn Alive, Danielle Brathwaite-Shirley, 2021, arebyte Gallery, London. Photo: Dan Weil.

The Soul

Ethereal Essence Beyond Physicality

As we venture into the realm of the soul, we delve into the ethereal essence that transcends our physical and subjective existence. The immaterial aspects of the soul and its existence outside of consciousness, minds and our physical bodies form the essence of a person, encapsulating memory, nostalgia, mythologies, identity, and personality that survive beyond our corporeal forms. Through artistic endeavours, we are invited to question the relationships between our physical selves, our digital identities, and the enduring nature of our souls.

This exploration of the soul is grounded in the rich history of philosophical and religious inquiry, and is brought to life by the creative expressions of contemporary digital artists such as Zach Blas (CULTUS, 2023)Kira XonorikaRicardo Sierra and others in their online exhibition with Doreen A. Rios (Minimal Rituals2023).

Digital technology's impact on our concept of the soul is profound. From eternal living and achieving immortality through digital advancements to the exploration of the limits of human existence in the face of death, artists such as Zoe Hough (The Microbial Verdict, 2015) challenge our meaning of the soul in a technologically-driven world. The idea of the soul as a philosophical question transcends time and space, leading us to contemplate our bodies and minds, sins and redemption, afterlives, and reincarnation in the context of our digital and virtual selves.

Installation view of The Microbial Verdict, Zoe Hough, 2015, arebyte Gallery, London.

The works of artists like Tabita Rezaire (Satellite Devotion, 2019) and Shinji Toya (FUTURES PAST, 2022) surround these themes, providing a platform for investigating the soul's nature and its connection to deeply rooted experiences and histories that influence our present lives.

Installation view of Satellite Devotion, Tabita Rezaire, 2019, arebyte Gallery, London. Image: Christopher MacInnes

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